• Contents

  3-4

Preface/Introduction

• Introduction Preface

  Benjamin Cope, Pavel Niakhayeu

  5-10

P.S. SOUNDSCAPES 1: SOUNDS AND SUBJECTIVITY

• Subjectivity in Sound: Listening to Anton Sarokin’s «Postfilmia» Article

  Maria Yashchanka

  11-25
• Jonas Mekas and His «Diary Films» – the New Understanding of Sound and Cinema in the Context of American Film Avant-Garde of the 1960s Article

  Инна Гладышева

  26-45
• On the Fetishization of Sound Article

  Андрей Горных

  46-65

P.S. SOUNDSCAPES 2: SOUNDS AND SOCIETY

• Mobilities and Sound Article

  Andrey Vozyanov

  66-86
• The Imagined Community of «True People»: Social Construction of the Rebetiko Musical Genre Article

  Вита Зеленская

  87-105
• Sound. Security. Society Article

  Дмитрий Кошлаков, Анатолий Степанищев

  106-118

P.S. SOUNDSCAPES 3: RECONTEXTUALIZING SOUND

• What Makes Music Irresistible? / The Freedom of Janis Joplin’s Voice transl. by A. Logvinova

  Г. У. Гумбрэхт

  119-127
• Research into/around Sounds in Poland: An Interview with Michał Libera and Daniel Muzyczuk Interview

  Benjamin Cope

  128-138
• Sermons over Modern Talking: On Listening to Private Tapes from the 1980s Essay

  Marcin Barski

  139-147
• Noise & Smart: From a Noisy to a «Smart» City Article

  Александр Сарна

  148-158